MEHER MOUNT

9902 Sulphur Mountain Road
Ojai, CA 93023-9375

Phone: 805-640-0000
Email: info@mehermount.org

HOURS

Wednesday-Sunday: Noon to 5:00 p.m.
Monday & Tuesday: Closed

MANAGER/CARETAKERS

Buzz & Ginger Glasky

BOARD OF DIRECTORS

Sam Ervin, Preident
Ron Holsey, Vice President
Ursula Reinhart, Treasurer
Jim Whitson, Director
Richard Mannis, Director

OFFICERS

Margaret Magnus, Secretary

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9902 Sulphur Mountain Rd
Ojai, CA, 93023
United States

(805) 640-0000

Photo Friday Blog

"Why should misery perpetually exist...?"

Meher Mount

Your Friday photo is in honor of the 70th Anniversary of Avatar Meher Baba’s visit to Southern California and His return to India on August 17, 1956...

This photo of Meher Baba was taken in Hollywood, California, during His three-day stay in Southern California, from July 31 to August 2, 1956, including a day at Meher Mount.

Meher Baba left Satara, India, on July 16,1956, to give His "Sahavas" or company to His dear ones in Europe, the United States and Australia.

During the course of the 30-day tour there were many interesting and intelligent questions put to Meher Baba, recalled Eruch Jessawala, Meher Baba’s close disciple who traveled with Him.

Q: Why should misery perpetually exist on earth in spite of God’s Infinite Love and Mercy?

A: The source of Eternal Bliss is the Self [God] in all and the cause of perpetual misery is the selfishness of all. As long as satisfaction is derived through selfish pursuits, misery will always exist.

Only because of the Infinite Love and Mercy of God can man learn to realize, through the lessons of misery on earth, that inherent in him is the source of Infinite Bliss and that all suffering is his labor of love to unveil his own Infinite Self.
— Eruch Jessawala, Close Disciple

Excerpted from “Round the Globe with Baba in Thirty Days” by Eruch Jessawala:

The great love of some of His followers in Europe, U.S.A. and Australia compelled Baba, the Lord of Love, to pay heed to their silent and profound yearning to have Him physically in their midst, even though it be for a very short while.

Hundreds of hearts that glowed with the warmth of love for God burst into so many flames as they contacted Baba.

Many others who approached Baba indifferently felt some spark of love descending into their benumbed hearts enlivening them as they contacted Baba.

Into whatever country He stopped to give His "Sahavas," there was a spontaneous outburst of love near and around Baba.

Day after day, for one full month, the same scene repeated itself.

Of course, with every flight that carried Baba over different continents and oceans, every time it was a different day from the other under the new settings of different lovers of different nationalities and of different countries. Baba, the Ancient One, remained the same one eternal Divine Beloved, to be loved and served by thousands.

Baba carried with Him an atmosphere so surcharged with love that just a loving glance towards His lover would suffice to fill the heart of His loved one with all that he could long for.

Whether one approached Baba with love or with curiosity, for genuine search after Truth or for news, each one felt satisfied and delighted to have come in contact with Baba.

The lover of God felt the tremendous impact of Baba's love; the philosopher accepted Baba's wisdom and was filled with admiration; the scientist, the psychologist, the doctor or the professor could not help loving Baba once he found himself in His august presence. All realized their limitations when faced by the Unlimited One and all felt the force of love that radiated from the Infinite Ocean of Love.

During the course of the whole tour there were many interesting and intelligent questions put to Baba [such as]:

Q. Why should misery perpetually exist on earth in spite of God's Infinite Love and Mercy?

A. The source of Eternal Bliss is the Self in all and the cause of perpetual misery is the selfishness of all. As long as satisfaction is derived through selfish pursuits, misery will always exist.

Only because of the Infinite Love and Mercy of God can man learn to realize, through the lessons of misery on earth, that inherent in him is the source of Infinite Bliss and that all suffering is his labor of love to unveil his own Infinite Self.


Sources

  • Eruch Jessawala, “Round the Globe with Baba in Thirty Days,” The Awakener, Fall 1956, Vol 4, No 1, pp. 1-7, ©1956 Circle Productions, Inc.

  • Photograph: Avatar Meher Baba in Hollywood, 1956. Meher Nazar Publications, Ahilyanagar, India. Used with permission.


"You felt very held and very embraced by Meher Baba..."

Meher Mount

Your Friday photo is a video…

Visitors to Meher Mount are often drawn to Baba’s Tree at Avatar’s Point. They are embraced by the silence, by the beauty, and by a special feeling. Over the years, Baba’s Tree has been called a cathedral tree.

This 1:56-minute video “Tree of Fire Stories: Cathedral Tree” is an outtake (a scene filmed for a movie but not included in the final version) from the award-winning documentary film Tree of Fire: A Story of Love and Resilience.

You felt very held and very embraced by Meher Baba, by God, by all that is in nature.
— Elizabeth Arnold, Resident Caretaker 2002-2009

Cathedral Tree

The storytellers in this short video are: Agnes Baron, Meher Mount Co-Founder and Lifetime Caretaker; Sam L. Ervin, Meher Mount Board President; and Elizabeth Arnold, Resident Caretaker 2002-2009.

Agnes: So, Baba and I are here, and He’s still holding onto my arm, and I said, “This is Your tree, Baba.”

I think He commented about the cables. I explained that the farmer who was here was planning to hold up limbs, and I was very concerned because the weight was so heavy. I decided to let the limbs come down to the ground and rest, which they have, and over the years, you see, it makes a complete little enclosure.

Sam: The canopy was very big, even the limbs, some of them were four-feet thick. And it was very high. It was a very tall tree. Some people referred to it as a “cathedral tree.”

Elizabeth: And there were typically two areas that one could enter the tree, and the rest of it was a full canopy. So, you felt very held and very embraced by Meher Baba, by God, by all that is in nature.


Tree of Fire: A Story of Love and Resilience

This award-winning documentary about Baba’s Tree at Meher Mount is a story of heartfelt story of loss, survival, and spiritual connection. After a devastating fire, a once-thriving massive oak – blessed by Avatar Meher Baba – rises from the ashes to offer love and solace.

Against all odds, volunteers worked together to nurture the tree back to health.

The survival of Baba’s Tree becomes a living symbol of resilience and Divine love. Through personal testimonies and breathtaking imagery, the film invites you to rediscover your own capacity for healing, transformation, and spiritual awakening.

Click here to see the trailer for Tree of Fire.


"He just floats over the air."

Meher Mount

Your Friday photo celebrates the 70th anniversary of Meher Baba’s day at Meher Mount on August 2, 1956…

Artist Charlie Mills captured the long, swift strides of Avatar Meher Baba walking across the field at Meher Mount. His followers are hurrying to keep up with Him.

“For me, this painting speaks eloquently of Meher Baba’s beauty, energy and guidance for those fortunate enough to travel in His wake. It can be a wonderful aid in helping to visualize and feel Meher Baba’s presence at Meher Mount," said Sam Ervin, Board President.

So, Baba was walking up this hill, and I tell you, you could not keep up with Him. It’s impossible.

He just floats over the air.

And many people fell behind, including me, and we just couldn’t follow the way He was going.

He was just going and going on. And His men even were running, and it’s just a walk with Him.
— Marguerite Poley, A Visitor in 1956 with Meher Baba

Source


"With far seeing eyes the hawk glides up the wind."

Meher Mount

Your Friday photo is a video in honor of the 70th Anniversary of Avatar Meher Baba’s day at Meher Mount…

“In 2002, preparations were being made at Meher Mount to celebrate the anniversary of Avatar Meher Baba’s visit here on August 2, 1956,” explained Sam Ervin, poet and Meher Mount board president. 

“As I reflected on the events and significance of Meher Baba’s day at Meher Mount, this poem began to take shape as a small thing I could offer.”

“Meher Baba, the Tree and the Hawk” is from the award-winning documentary film about Baba’s Tree at Meher Mount, Tree of Fire: A Story of Love and Resilience.

With far seeing eyes the hawk slides up the wind
To improve her view of the God-Man
Once again treading this earth, this mountain.
— Sam Ervin, Poet and Meher Mount Board President

“Meher Baba, the Tree, and the Hawk”

With far seeing eyes the hawk slides up the wind
To improve her view of the God-Man
Once again treading this earth, this mountain.

Treading? No. Floating, fluid, with matchless grace,
Yet strong and gliding strides
Toward the green canopy of the great live oak Agnes called “Baba’s Tree.”

On strong wings, the hawk beats closer, glides, rises above the tree
Like an eyebrow of God in surprise,
As the Beloved One of the universe enters alone the emerald tent.

Silence! Except the sweet sighing of the wind playing among the leaves
To turn their green and silver facets to reflect the sunbeam jewels.

Hanging impossibly still, on high, the hawk,
Outside the tree the breathless expectant lovers,
And for an eternal moment the universe
Await His gesture, marking the completion of …what work?

What seeds by Him were planted in this ancient land, under this long waiting oak?
We know not.

Yet as surely as generations of hawks feather the air
Above Meher Mount and Baba’s Tree,
He has poured out His all-knowing love and compassion here,
And makes eternally accessible that sacred moment.

~ Sam L. Ervin, July 28, 2002


Tree of Fire: A Story of Love and Resilience

This award-winning documentary about Baba’s Tree at Meher Mount is a story of heartfelt story of loss, survival, and spiritual connection. After a devastating fire, a once-thriving massive oak – blessed by Avatar Meher Baba – rises from the ashes to offer love and solace.

Against all odds, volunteers worked together to nurture the tree back to health.

The survival of Baba’s Tree becomes a living symbol of resilience and Divine love. Through personal testimonies and breathtaking imagery, the film invites you to rediscover your own capacity for healing, transformation, and spiritual awakening.

Click here to see the trailer for Tree of Fire.


"Sing for the forest, sing for the sky, sing for the moments that are passing you by."

Meher Mount

Your Friday photo…

This photo, by former resident caretaker Buzz Glasky, captures the view from Meher Mount of the 2,600-foot Topa Topa Bluffs beneath clouds illuminated by the setting sun. 

"Sing and Surrender" is written as a prayer by singer-songwriter Adrienne Shamszad. 

“It is a wish,” she said, “that when more of us express ourselves, the world becomes a more healed place for everyone to live. It is an invitation to lift your heart up to the sun, the moon, and sing your song.”


Sing for the forest
Sing for the sky
Sing for the moments that are passing you by
— Adrienne Shamszad, Singer-Songwriter, "Sing and Surrender"

“Sing and Surrender”
By Adrienne Shamszad

Sing for the forest
Sing for the sky
Sing for the moments that are passing you by

Sing for the animals
Sing for your friends
Sing for the beginning and sing for the end

All of our days
Are endlessly numbered
while the clock runs, time stands still
Tomorrow’s never promised
To anyone
And the empty stage of life is yours to fill
So sing

Sing and then surrender
Sing and then let go
Sing for your happiness and for your sorrow

Sing because you can
Sing because it’s good
Sing for all the people in the world who wish they could

All of our days
Are endlessly numbered
while the clock runs, time stands still
Tomorrow is never promised
To anyone
And the empty stage of life is yours to fill
So sing

Sing for your healing
Sing because it’s right
Sing your warmth into the cold dark night

Sing for your homeland
Sing for your soul
Sing for your brokenness, sing until you’re whole

All of our days
Are endlessly numbered
while the clock runs, time stands still
Tomorrow is never promised
To anyone
And the empty stage of life is yours to fill
So sing


Singer-songwriter Adrienne Shamszad performs her original song “Sing and Surrender.”


"Right side up!" - Avatar Meher Baba

Meher Mount

Your Friday photo is in honor of Silence Day, today July 10th, and the silence Avatar Meher Baba observed for 44 years of His incarnation. 

The following excerpt is from a family letter sent on September 10, 1966, by Mani S. Irani, Meher Baba's sister and close disciple, to His Western followers. This photo of Meher Baba was taken in Meherazad, India, in 1949, by close disciple Faredoon (Pardi) Driver.

Illustrating for us the completeness of the transformation that will take place in the world after He breaks His silence, Baba cupped His left hand loosely over His right as though He were holding a big ball, then with a deft movement brought his right hand over His left [hand] in an absolute turnover of the imaginary ball’s position.

’Upside down,’ one of us interpreted. With a half-smile Baba gestured, ‘Right side up.!’
— Mani S. Irani, Close Disciple

The last they [Meher Baba's disciples] heard of His beautiful voice was on the eve [July 9, 1925] of His Silence when He said to them: “Hear well my voice; you will not hear it for a long time.”

That was four hundred and ninety-four months ago.

Recently the Beloved has been telling us not so much of the close-at-hand breaking of His Silence, but of the monumental change that will come about on earth when He does so.

One morning while we were sitting at breakfast with Baba, and a humming bird was hovering before a window-pane in ecstasy of its own reflection, we got to talking of His Silence.

Illustrating for us the completeness of the transformation that will take place in the world after He breaks His Silence, Baba cupped His left hand loosely over His right as though He were holding a big ball, and then with a deft movement brought His right hand over His left in an absolute turnover of the imaginary ball's position.  

“Upside down”, one of us interpreted. With a half-smile Baba gestured “Right side up!”

 ~Mani S. Irani, Family Letter, September 10, 1966


Sources

  • Manija Sheriar Irani, 82 Family Letters to the Western Family of Lovers and Followers of Meher Baba, pp. 263-264, “Family Letter Seventy: 10 September 1966.” (North Myrtle Beach, SC, Sheriar Press) ©1976 Avatar Meher Baba Perpetual Public Charitable Trust, Ahilyanagar, India.

  • Photograph: Faredoon (Padri) Driver, Meherazad, India, 1949, MSI Collection. Used with permission.


About Manija S. Irani 

Manija (Mani) S. Irani (1918-1996) was Avatar Meher Baba’s younger sister, joining Baba’s ashram at the age of thirteen. Mani lived her life completely surrendering to His will. She was chairman of the Avatar Meher Baba Perpetual Public Charitable Trust from 1973 until her passing in 1996.


FREE eBOOK - Why Meher Baba Observed Silence

Why did Avatar Meher Baba observe silence for 44 years? Was there a spiritual benefit? What is the deeper meaning of His silence?

Why do Meher Baba’s followers observe Silence Day on July 10th every year?

This eBook provides perspectives on Meher Baba’s silence. It’s a collection of stories about Meher Baba’s silence including comments by Him and His close disciples.

Click here to download your free eBook on Meher Baba's silence.


"And what is needed for this awakening is love for whatever God one likes.” ~Avatar Meher Baba

Meher Mount

Your Friday photo recognizes the 250th anniversary on July 4th of the adoption of the Declaration of Independence by the 13 American colonies…

Avatar Meher Baba (1894-1969) visited the United States six times between 1931 and 1958.

In 1952, He was at the Meher Spiritual Center in Myrtle Beach, South Carolina, when the following conversation about America’s great spiritual potential took place.

This photograph of Meher Baba in Washington, DC on July 30, 1956, was taken just before He traveled to Southern California and Meher Mount.

America now leads the material side of the universe and has such infinite possibilities that it can lead the world spiritually, if awakened.

And what is needed for this awakening is love for whatever God one likes.
— Avatar Meher Baba

During His 1952 stay at the Meher Center, Meher Baba conducted a number of interviews, including one with Toni Roothbert, a well-known fashion and commercial photographer. She was a social activist and benefactress who had a house in Myrtle Beach. 

When Ms. Roothbert saw Meher Baba, she told Him, "I think, as you well know, you will do extraordinary work in the United States."

Meher Baba replied:  

"America now leads the material side of the universe and has such infinite possibilities that it can lead the world spiritually, if awakened."

Toni said, "Under the surface and unknown, there is great longing for spirituality."

Meher Baba responded:

"And what is needed for this awakening is love for whatever God one likes. In the form of Jesus crucified, or another. God will do it. He can do it. And now the time is near, very near, when this spiritual upliftment has to take place. Yes, absolutely. It has to be and will be."


Sources

  • Meher Prabhu: Lord Meher, The Biography of the Avatar of the Age, Meher Baba, by Bhau Kalchuri, "Manifestation, Inc.", 1986, pg. 13823. Copyright ©Avatar Meher Baba Perpetual Public Trust, Ahilyanagar, India.

  • Photograph: Avatar Meher Baba, July 30, 1956, at the home of Ivy Duce in Washington, DC. Photographer Harold Cash Davis. Courtesy of Meher Nazar Publications, Ahilyanagar, India.


"The bell worn by the leading camel of a caravan is symbolic progress."

Meher Mount

Your Friday photo is in honor of the newly arrived bell at Meher Mount…

During Avatar Meher Baba’s lifetime, He would often summon His followers by ringing a bell. It would signal a start, an end or a change.

In a more metaphorical sense, the ringing of a bell serves as a wake-up call to the seeker. The bell signifies mortality, time passing, and God the Beloved gently calling the soul to stop lingering on earthly desires and resume the journey back toward the Divine.

This photo of the new bell at Meher Mount was taken by caretaker Ray Johnston at sunrise.

The quote is from Mani S. Irani, Meher Baba’s sister and close disciple, describing the symbolism of a bell worn by a camel that was with them during the New Life.

Our camel of the New Life had a Persian silver bell round its neck ... The bell of the camel is mentioned in the verses of Hafiz, the perfect Master whose poetry Baba loved so much.

The bell worn by the leading camel of a caravan is symbolic of progress. It tolls to remind a caravan which has halted at an oasis and is unwilling to move on in the desert again, ‘Move on. This is not your destination. Forward, forward!’
— Mani S. Irani, Close Disciple

About Meher Baba’s New Life (October 1949-February 1952)

In the New Life, Meher Baba and His companions gave up all property and financial responsibilities. They traveled throughout India without money, begging for food, and living in strict accordance with Meher Baba’s conditions of the New Life. 

These conditions included absolute acceptance of the circumstances of their lives and consistent good cheer in the face of any difficulty. 

It was a time of complete helplessness and hopelessness, relying only upon God.

Meher Baba and the companions traveled with animals at various times during the New Life including a white horse, an English bull, cows, calves, dogs, donkeys, and a camel.


About the Bell at Meher Mount

The 62-pound “dinner bell” at Meher Mount was donated by Communications Director Margaret Magnus and her family – her cousin Kristie Grigg and sisters Elizabeth Hartzell and Catherine Hartzell. The bell had been in the family for decades, mostly recently at the family homestead in Riverton, Wyoming. In early 2026, the Riverton property was sold, and everyone agreed that Meher Mount would be a good home for the bell.

Caretaker Ray Johnston installed the newly arrived bell near the entrance to the Topa Topa Patio. It not only summons visitors, but it is also a reminder not to linger at the oasis, but to continue on one’s spiritual journey.


Source

Tales from the New Life with Meher Baba, edited by D.E. Stevens, Rick M. Chapman, James J. Hastings, Gary and Patty Freeman, pg. 179, An Avatar Meher Baba Trust eBook, Updated. June 2013. ©Avatar Meher Baba Perpetual Public Charitable Trust, Ahilyanagar, India.

Books available from:


"Meher Baba left continuously flowing fountains of divine energy..."

Meher Mount

Your Friday photo celebrates the 70th anniversary of Avatar Meher Baba’s day at Meher Mount on August 2, 1956…

“An interesting point here is to reflect on what a great number of treasured and holy spots Baba has left with us to be revered by generations to come," noted Kitty Davy, a close disciple who was at Meher Mount with Meher Baba that day in August.

Darwin Shaw, also at Meher Mount on that August 2nd, took this photo of Avatar Meher Baba (blue coat) talking to Meher Mount co-founder and lifetime caretaker Agnes Baron (orange skirt).

The group is standing at the swimming pool — which is now used as a water reservoir for fire abatement.

Amazingly, during his physical lifetime, Meher Baba left continuously flowing fountains of divine energy, or vibrations, in a great number of places throughout the world.

These attest to the timeless omnipotence of this Infinite Being.
— Darwin Shaw, A Visitor in 1956 with Meher Baba

Sources

  • Darwin C. Shaw, As Only God Can Love: A Lifetime of Companionship with Meher Baba (North Myrtle Beach, SC: Sheriar Foundation, 2003), pg. xxvii. ©Darwin C. Shaw.

  • Kitty Davy, Love Alone Prevails: A Story of Life with Meher Baba, (North Myrtle Beach, SC: Sheriar Press). ©1981 by Meher Spiritual Center, Inc.


"This story reminds us that this spirit of possibility is always there..."

Meher Mount

Your Friday photo is about a magazine article featuring the film Tree of Fire: A Story of Love and Resilience

One of the storytellers in the film is Perry Van Houten who is also a reporter for the Ojai Valley News. Perry recently sat down with Margaret Magnus, producer and co-director of the film, and with Sam Ervin, Meher Mount board president and one of the film’s storytellers, to talk about the movie.

His article, “Baba’s Tree of Fire,” was published in Ojai Magazine Spring 2026 issue.

This story reminds us that this spirit of possibility, of hope, of restoration, of beauty, is always there, and we can participate and contribute to it.
— Sam Ervin, Meher Mount Board President

“We live in a time of great change all over the world,” said Margaret Magnus.

“And it feels like the movie has come out at a time when we need something to feel good about, to feel hopeful, to look beyond our day-to-day ups and downs.”

Continuing on that theme, Sam Ervin noted, “Sometimes it’s easy to despair over the state of the world, or issues that seem intractable and impossible overcome.

“Yet this story reminds us that this spirit of possibility, of hope, of restoration, of beauty, is always there, and we can participate and contribute to it.”

Click here to download the article “Baba’s Tree of Fire.”


Tree of Fire: A Story of Love and Resilience

This award-winning documentary about Baba’s Tree at Meher Mount is a story of heartfelt story of loss, survival, and spiritual connection. After a devastating fire, a once-thriving massive oak – blessed by Avatar Meher Baba – rises from the ashes to offer love and solace.

Against all odds, volunteers worked together to nurture the tree back to health.

The survival of Baba’s Tree becomes a living symbol of resilience and Divine love. Through personal testimonies and breathtaking imagery, the film invites you to rediscover your own capacity for healing, transformation, and spiritual awakening.

Click here to see the trailer for Tree of Fire: A Story of Love and Resilience.


"It was an opportunity to step back in time..."

Meher Mount

Your Friday photo is in honor of the Guided Nature Walk in April...

“I appreciated the chance to experience the Divine through nature,” said Ron Holsey, Meher Mount board vice president, after taking part in the nature walk at Meher Mount.

This photo of botanist Scott Tomkinson talking about the native plants at Meher Mount was taken by Ron Holsey.

It was an opportunity to step back in time and imagine what the land was like hundreds or even thousands of years ago.
— Ron Holsey, Guest

When I think about nature at Meher Mount, my mind usually goes to the birds, the animals and the trees. It’s not often that we think about all the ‘little guys’ — the plants, grasses, and shrubs that we trample on or brush past as we walk from place to place.

That’s why Scott’s plant walk was such a unique experience. It gave me a whole new perspective and appreciation for these overlooked inhabitants of the land.

The guided walk was also a sensory experience. We took a closer look at some of the plants we might not normally notice. We smelled their crushed leaves, felt their velvety textures, and heard how their seed pods sounded.

I learned about a variety of native plants. There is the Southern California Black Walnut (Juglans californica) which differs from its European cousins and was used by the Chumash Indians.

Scott also talked about the natural deodorant, Cowboy Cologne (Artemisia californica) and other medicinal plants used by Indigenous Americans. 

It was an opportunity to step back in time and imagine what the land was like hundreds or even thousands of years ago.

~Ron Holsey, Guest & Board Vice President


"If I was going to make a movie of Meher Baba, I'd better learn to move fast."

Meher Mount

Your Friday photo is in honor of the 70th anniversary of Avatar Meher Baba’s visit to Southern California…

In 1956, Meher Baba circled the globe in 30 days, flying 30,000 miles and visiting five continents.

Charmian Duce Corrinet (later Knowles) was asked by Meher Baba to film His visit in America. The result of Charmian’s filming and editing is Meher Baba in the USA, 1956 a film produced by ©Sufism Reoriented.

This photograph of Avatar Meher Baba at Meher Mount on August 2, 1956, is a screenshot from that film. He is with co-founder and lifetime caretaker Agnes Baron who is taking Him on a tour of the property.

...if I was going to make a movie of Meher Baba, I’d better learn to move fast. He moved so swiftly at times, it seemed his feet didn’t even touch the ground.
— Charmian Duce Knowles

On Making the film Meher Baba in the USA, 1956

“Early one beautiful morning in July 1956, a group of us drove out to Idlewild Airport [New York] to begin what Baba had called a sahavas – time in the intimate company of the Master. I had been given a special charge for this visit… Baba had asked that I make a movie of it,” explained Charmian Duce Knowles in her book Spread My Love.

Charmian described her film experience and equipment: “I had only held a movie camera in my hands once before… That and two years of still photography in college were my only training for making a film about the Avatar. I decided that what I lacked in experience, I could at least make up for in equipment.

“We had heard about a new movie camera [16 mm] that had automatic light control and that used film cassettes. It wasn’t even on the market yet, but a friend went clear to the factory in Detroit and managed to deliver one to me in New York City. It was the most technologically advanced camera of its time, but there were still drawbacks.”

When Meher Baba emerged from the airport, Charmian started filming. She said she quickly realized “that if I was going to make a movie of Meher Baba, I’d better learn to move fast. He moved so swiftly at times, it seemed his feet didn’t even touch the ground.”


Meher Baba in the USA, 1956 is one hour and 23 minutes long. Meher Baba’s visit to Meher Mount starts at 50:22 minutes into the film and continues for approximately six-and-one-half minutes.


Sources

  • Charmian Knowles, Spread My Love (Walnut Creek, CA: Sufism Reoriented), pp. 113-114, ©2004 by Sufism Reoriented.

  • “Film of Meher Baba at Meher Mount - 1956,” by Margaret Magnus, Meher Mount Story Blog Post, accessed May 23, 2026.

  • Image: Screenshot from Meher Baba in the USA, 1956 filmed by Charmian Knowles and produced by Sufism Reoriented ©1972. In the late 1960s, assisted by Henry Mindlin and Charmian’s future husband, Duncan Knowles, she added a soundtrack. Charmian and Duncan provide the narration.


"...the Avatar unfailingly fulfills his incarnation by giving a spiritual push to his age.” ~Avatar Meher Baba

Meher Mount

Your Friday photo is in remembrance of Avatar Meher Baba’s automobile accident near Prague, Oklahoma, on May 24, 1952…

“…the personal disaster, for some years foretold by me, took place in the form of an automobile accident while crossing the American continent… It was necessary that it should happen in America. God willed it so,” Meher Baba said about His accident.

This photo of Meher Baba was taken in August 1952 in Switzerland when He was recovering from the accident in America. Meher Baba said the following about His universal suffering:

In his own ways, the Avatar unfailingly fulfills his incarnation by giving a spiritual push to his age.
— Avatar Meher Baba

“The Avatar does not take upon himself the karma of the world nor does he become bound by it.

But he takes upon himself the suffering of the world which is the result of its karma.

His suffering for the world is vicarious. It does not entail entanglement with the karma of the world.

But humanity finds its redemption from its karma through his vicarious sufferings, e.g., illness, humiliation, accidents and the like. In his own ways, the Avatar unfailingly fulfills his incarnation by giving a spiritual push to his age.”

~Avatar Meher Baba


Karma: The law of cause and effect. Fate. The natural and necessary happenings in one’s lifetime, preconditioned by one’s past lives.


Sources

  • Bhau Kalchuri, Lord Meher: The Biography of the Avatar of the Age Meher Baba, Online Edition, pg. 3191, accessed May 22, 2017. ©Avatar Meher Baba Perpetual Public Charitable Trust.

  • Meher Baba, Beams from Meher Baba on the Spiritual Panorama, An Avatar Meher Baba Trust eBook, June 2011, pg. 32, accessed May 4, 2026. ©1958 by Sufism Reoriented Inc., USA.

  • Photo: Avatar Meher Baba in Switzerland in August 1952, recuperating from His automobile accident in America. Courtesy of Meher Nazar Publications, Ahilyanagar, India.


"It's in the valleys that I grow..."

Meher Mount

Your Friday photo…

This photo from Avatar’s Point at Meher Mount looking southeast to the Santa Monica Mountains and Heritage Valley was taken by former caretaker Buzz Glasky.

This song was adapted by singer-songwriter, Pam Rubenstein, from the poem, “It’s In the Valleys I Grow,” by Jane Eggleston.

Sometimes my life seems hard to bear,
Full of troubles, tears, and woe,
It’s then I must remember,
It’s in the valleys that I grow.
— Jane Eggleston/Pam Rubenstein

It’s In the Valleys That I Grow

Sometimes my life seems hard to bear,
Full of troubles, tears, and woe,
It’s then that I must remember,
It’s in the valleys that I grow.

If I never left the mountaintop,
And knew nothing more of pain,
I seldom would remember You,
And my life would be in vain.

I have so much to learn about,
And my growth seems very slow;
Sometimes I need the mountaintops,
But it’s in the valleys that I grow.

And I don’t always understand
Why things happen as they do,
But I’m very sure of one thing,
My dearest Friend will see me through.

Forgive me for complaining, Lord,
When I’m feeling very low,
Just flash me a reminder:
It’s in the valleys that I grow.

Do what You must to make me strong,
And use me every day,
To share Your love with others,
And help them find their way.

Thank you for the valleys, Lord,
For this one thing, I know:
The mountaintops are glorious,
But it’s in the valleys that I grow.

~Jane Eggleston, Poet, and Pam Rubenstein, Singer & Songwriter


Listen to the Song
Click to hear Pam Rubenstein sing “It’s In the Valleys That I Grow” on her solo CD, It’s Always Now.


About

  • Jane Eggleston was a church volunteer at Grace Baptist Church in Williamsburg, VA. She wrote this poem, “It’s In the Valleys I Grow,” in 1977.

  • Pam Rubenstein is a professional musician, and artist, and follower of Avatar Meher Baba. She and her late husband, Danny Rubenstein, created and performed original music inspired by Meher Baba. Her solo CD It’s Always Now is available from Sheriar Books.


"O Beloved, You are a flower, You are also its fragrance and color."

Meher Mount

Your Friday photo is in honor of National Poetry Month…

This photo of a white rose at Meher Mount was taken by guest caretaker and photographer Juan Mendez.

The following is an excerpt from the ghazal, “At Least Sometimes,” given by Avatar Meher Baba to Bhau Kalchuri (a close disciple and ghazal* writer).

O Beloved, You are a flower; You are also its fragrance and color.
You are the garden and its Gardener; at least sometimes manifest.
— Avatar Meher Baba

At Least Sometimes (Excerpt)

O Meher, Your lover is restless. At least sometimes hear him,
At least sometimes ask him what he wants,
at least sometimes ask him what he is pleading for.

O Beloved, You are a flower; You are also its fragrance and color.
You are the garden and its Gardener; at least sometimes manifest.

You are not the garden where there are thorns.
I am searching for that garden of only one flower,
at least sometimes shower Your grace so I can find it.

You are not that flower whose fragrance ever diminishes.
O Beloved, open the bud of my heart; at least sometimes fill it
with the fragrance which always remains fresh.

You are not that flower which withers —
You are that flower which eternally blooms.

What a wonderful smile You have;
At least sometimes fill the flower of my heart with that smile.

You are not that flower whose color will fade.
I am searching for that flower, at least sometimes give it to me.

O Meher, I have dedicated myself at Your feet;
You are my life and everything for me.
Let your color and fragrance at least sometimes fill my heart.

~Avatar Meher Baba, given to Bhau Kalchuri


Ghazal: A poetic form originating in 7th-century Arabic verse. Ghazals written in relation to Meher Baba express spiritual love and longing.


Source

Bhau Kalchuri, Meher Sarod, (North Myrtle Beach, SC: Manifestation, Inc.), Ghazal One Hundred Fifty Five, ©1984 Bhau Kalchuri.


"I've never seen this before. They always just fly away."

Meher Mount

Your Friday photo is a video…

Visitors to Baba’s Tree at Meher Mount are often surprised at what they find. "I've never seen this before," said Jackie DeSantis from the Ojai Raptor Center. She made this comment watching what happened after she released a rehabilitated American Kestrel at Avatar's Point next to Baba's Tree.

See the complete story and raptor release in this 3:15-minute video as told by guest caretakers Kristina Somma and Robert Turnage.

“Raptors” is an outtake (a scene filmed for a movie but not included in the final version) from the award-winning documentary film Tree of Fire: A Story of Love and Resilience.

It reinforced the feeling that something powerful is at Baba’s Tree and at Avatar’s Point.
— Robert Turnage, Guest Caretaker & Board Treasurer

As Robert Turnage and Kristina Somma tell the story:

We were there on the first raptor release that took place, and this was a connection that Meher Mount made with the Ojai Raptor Center, which rehabilitates wounded birds of prey.

And an arrangement had been made to release two birds from Avatar's Point, which is right next to Baba's Tree. And the person from the raptor center, Jackie DeSantis, first released the kestrel.

And off it went, and it immediately flew into a tree right next to Baba's Tree. And Jackie, who has done this dozens and dozens of times, so she's an expert with raptors, is going, “I've never seen this before. They always just fly away.”

This one has decided to hang out. That kestrel hung out on the tree next to Baba's tree for 15 minutes, and Jackie DeSantis was saying, “I don't understand it.”

And some of us were sort of knowingly saying, “Well, I think they feel a connection, or the kestrel feels a connection to this magical Baba's Tree. It doesn't want to leave.”

But the issue was actually that the red-tailed hawk was getting a little bit anxious in its enclosure. And Jackie was feeling like, “We need to get this red-tailed hawk out of here.” So she pulls out the red-tailed hawk, and gently releases it.

The kestrel sees the hawk and finally says, okay, it's time for me to make my exit. But then the hawk does this amazing swoop, flies in a circle, goes right by the branches of Baba's Tree, and then lands in the tree next to Baba's Tree.

It reinforced the feeling that there is something very powerful at Baba's Tree and at Avatar's Point.

And then finally, it made its very graceful exit, sort of out in the direction of Santa Paula Peak in the distance.

~Robert Turnage & Kristina Somma, Guest Caretakers


"O bluebird, welcome back again..."

Meher Mount

Your Friday photo is in honor of National Poetry Month…

This photo of a bluebird in the pond at Meher Mount was taken by guest caretaker and photographer Juan Mendez.

O bluebird, welcome back again,
Thy azure coat and ruddy vest
Are hues that April loveth best,-
Warm skies above the furrowed plain.
— John Burroughs, Writer and Naturalist

The Bluebird

A wistful note from out the sky,
“Pure, pure, pure,” in plaintive tone,
As if the wand’rer were alone,
And hardly knew to sing or cry.

But now a flash of eager wing,
Flitting, twinkling by the wall,
And pleading sweet and am’rous call,
Ah, now I know his heart doth sing!

O bluebird, welcome back again,
Thy azure coat and ruddy vest
Are hues that April loveth best,
Warm skies above the furrowed plain.

The farm boy hears thy tender voice,
And visions come of crystal days,
With sugar-camps in maple ways,
And scenes that make his heart rejoice.

The lucid smoke drifts on the breeze,
The steaming pans are mantling white,
And thy blue wing’s a joyous sight,
Among the brown and leafless trees.

Now loosened currents glance and run,
And buckets shine on sturdy boles,
The forest folk peep from their holes,
And work is play from sun to sun.

The Downy beats his sounding limb,
The nuthatch pipes his nasal call,
And robin perched on treetop tall
Heavenward lifts his evening hymn.

Now go and bring thy homesick bride,
Persuade her here is just the place
To build a home and found a race
In Downy’s cell, my lodge beside.

~John Burroughs, Writer & Naturalist


John Burroughs was one of the preeminent naturalists of the late 19th and early 20th centuries. He was a distinguished writer and conservationist.

For Burroughs, the return of the bluebird was one of the first signs of impending spring and a joyous occasion. His reference in the last line to “Downey’s cell” is the abandoned hole of a Downy Woodpecker.


Source
10,000 Birds website, “The Bluebird by John Burroughs,” accessed March 19, 2026.


"A lot of the magic I got from the project was from the animals."

Meher Mount

Your Friday photo is in honor of the Darshan Courtyard…

The photo from caretaker Ray Johnston is of a deer visiting the Darshan Courtyard worksite.

The image appearing in the Darshan Courtyard sign is of Avatar Meher Baba and co-founder and lifetime caretaker Agnes Baron kneeling beside Him. They are in the Baba Room which burned in 1985. The Darshan Courtyard is the same space where Meher Baba gave darshan (the grace of seeing or being with the Divine) to His followers in 1956.

A lot of the magic that I got from the project was from the animals. They came up to the work site, and they were part of the crew here. The deer were not scared. They would be right by us.
— Alonzo Banuelos, Contractor & Owner, Hybrid Construction

After the construction of the Darshan Courtyard was completed, Meher Mount sat down with the contractor, Alonzo Banuelos owner of Hybrid Construction, to talk about his impressions regarding this project.

Q: Were there any synchronicities or magic that you experienced as part of the whole building process?

A lot of the magic that I got from the project was from the animals. They came up to the work site, and they were part of the crew here. The deer were not scared. They would be right by us.

We encountered venomous snakes, and we let them go. There were squirrels and birds galore. So, this being with the animals. That’s magic in itself, you know.

And this project had an effect, too, when I came to Meher Mount. I came here to work. Yet, I had a really good feeling when I came here. I thought, “I am coming to some place that’s really peaceful.”

Q: How do you feel now that it’s completed?

Oh, I love it. With the colors and textures and the stone that we picked out. The stone is similar to the shale stone they have on the whole mountain. It’s complemented very well. It’s very spacious. It’s got a beautiful view, and it’s very dreamy.

Q: If you were telling friends about this space and bringing them to see your work on the Darshan Courtyard, what would you say to them?

I would say, “I want to bring you to see the Darshan Courtyard because I want you to see a magnificent place.” I want people who come to the courtyard to feel like they can be free here, and that they can breathe and smell the air and live.

It’s a beautiful area. And it’s a beautiful piece of work. It’s art – not just a structure.



"What is Zen?"

Meher Mount

Your Friday photo…

The following story of the Zen master, who visited Meher Mount in the 1960s, was told by co-founder and lifetime caretaker Agnes Baron (1907-1994) and is shared by long-time volunteer Sam Ervin.

The 1940s photo is of the guesthouse where Avatar Meher Baba met with with His followers in the Baba Room in 1956. This is the building referred to in the story.*

What is Zen?

In my hands is a hoe. I neither assert nor do I negate. I use it!
— Zen Buddhist Master Visiting Meher Mount, 1960s

In about 1960, Agnes Baron went to see a visiting Japanese Zen Master who was giving a talk somewhere in Southern California. She liked his presentation very much, and related one of the comments that struck her.

In response to the question, “What is Zen?” he said, “In my hands is a hoe. I neither assert nor do I negate. I use it!” while making a hoeing motion with his hands.

After the talk, Agnes approached him and said to him, “Neither assert nor negate, but come. Come to Meher Mount.” He immediately agreed, and spent a few nights at Meher Mount.

Agnes said that when he came into her house at Meher Mount and saw a large photo of Meher Baba, the Zen Master asked, “Is that the Landlord?” Agnes responded, “Yes.” He then put his hands together and bowed to Meher Baba’s picture.

He asked if he could help prepare dinner, and Agnes was very impressed by how quickly and efficiently he chopped all the vegetables.

The next day, a few volunteers arrived to help Agnes nail new tar paper shingles on the guesthouse roof. This was the house Meher Baba had stayed in for much of the day on August 2, 1956.

Again, the Zen Master wanted to help shingle the roof. Agnes was reluctant, because she said he had a “pot belly” and kneeling to hammer in the nails could be hard for him. Also, she doubted he had experience with this kind of work.

She described how he very carefully placed the first shingle and slowly began to nail it on, and she thought, “O my God, we’ll never get this done as slowly as he’s going.”

Then he gradually picked up the pace, and soon he was keeping up with the others and even surpassing their speed while precisely placing the shingles. She felt this was a demonstration of his Zen Buddhism in action.

~Sam Ervin, Board President & Long-Time Volunteer


Note

*The guesthouse and Baba Room burned in the 1985 New Life (Ferndale) Fire. The only remaining artifacts of the room after the fire were the chimney and fireplace, now called Baba’s Fireplace. The recently completed Darshan Courtyard next to Baba’s Fireplace evokes that space and is open to welcome visitors.


"These dhuni ashes contain the essence of many of Your sublime messages..."

Meher Mount

Your Friday photo is in honor of the Darshan Courtyard…

The Darshan Courtyard at Meher Mount was born out of fire. And ashes representing Meher Baba’s words symbolically help form the foundation of the courtyard.

The Darshan Courtyard is in the space of the Baba Room where Avatar Meher Baba gave darshan (the grace of seeing or being with the Divine) to His followers on August 2, 1956.

The guesthouse with the Baba Room burned to the ground on October 14, 1985. All that remained was the stone fireplace and chimney — now known as Baba’s Fireplace.

In 2021, plans were underway to build a courtyard celebrating this space and Meher Baba’s Presence. Meher Mount invited followers from all over the world to send their favorite Meher Baba quote.

Each quote and the person’s name were printed on a special piece of paper. These quotes were read aloud and then placed in a special dhuni (sacred fire)* at the Darshan Dhuni event on June 12, 2021.

In 2024, when it was time to break ground for the actual building of the Darshan Courtyard, the ashes from this Darshan Dhuni were put under the spot where Meher Baba sat during His time in the Baba Room. The groundbreaking ceremony was on dhuni day October 12, 2024.

This photo of a sunset over Baba’s Fireplace was taken by Ray Johnston just before construction began on the Darshan Courtyard in 2024. The following statement from board president Sam Ervin was made during the groundbreaking dedication later in 2024.

These dhuni ashes contain the essence of many of Your sublime messages that are cherished by Your lovers around the world.

The dhuni fire in which they were burned was fueled by wood from Your tree, Baba’s Tree.

We now offer these ashes carrying that Divine essence expressed by You to mingle with the earth supporting the Darshan Courtyard.

We ask that You accept this, as an expression of the hearts of Your lovers, yearning for Your presence.
— Sam Ervin, Darshan Courtyard Groundbreaking 2024

Note

*Meher Baba lit the first dhuni in 1925, and later ordered that there be a monthly dhuni event on the 12th of each month in Meherabad, India (home of Meher Baba’s Tomb Shrine). At this dhuni, participants throw in a sandalwood stick dipped in ghee into the fire, an act signifying the renunciation of some attachment.